Mother and daughter Sue Willingham of The Willingham Weavery and Janet Dawson of The Weaver's Palette are an international, east-meets-west, island to island, border hopping, mother/daughter weaving duo extraordinaire! They live on opposites coasts of two different countries but visit one another as often as possible and, due to the wonders of the interwebs (and a couple of webcams and hands free phones), they weave “together” almost as much as if they lived down the road. The two of them live and breathe to weave and are often in consultation with one another on projects, on teaching, and on life in general.
Together Janet and Sue represent over 30 years of weaving and teaching experience. Their shared enthusiasm for their craft will inspire you and their mother/daughter antics will entertain you while their breadth of teaching experience and subtle (or not so subtle) differences in approach and technique provide you with a solid foundation of weaving theory and skills that will enable you to weave confidently on your own for years to come.
With detailed instructions and step by step guidance, Sue and Janet lead students through the process of planning a project, winding a warp, and dressing a floor loom. Students will have lots of time at the loom each day to learn and practice good weaving techniques and to explore plain weave, twill and basket weave under the guidance of two attentive and experienced instructors.
Each day will also include discussions and demonstrations covering a variety of basic weaving information, skills and techniques, such as record keeping, suggestions for accuracy in dressing the loom and while weaving, the difference between different types of looms, choosing yarns and setts, and much more.
Loom meet & greet: the parts of a loom and how they work
Other weaving paraphernalia: what it's for and how to use it
Planning a project: choosing threads, set, structure and size
Reading a weaving draft
Dressing a loom
Introduction to simple structures: plain weave, twill and basket weave
How to actually weave: filling bobbins & shuttles, treadling a pattern, throwing the shuttle, maintaining an even beat and tidy selvages
How to avoid and correct mistakes made while weaving
How to stop weaving: hemstitching, hems, knotted fringes and other methods of securing your fabric
How to wet finish cloth
Students should bring their own small, sharp scissors, blunt end tapestry needles, and note taking supplies. All other materials and equipment will be provided (though students who have their own shuttles and bobbins may wish to bring these as well). A materials fee will be charged for yarns and handouts provided.
A gamp for every loom! Gamps are a brilliant way of testing ideas and making new discoveries while also weaving the samples we know we ought to have to but hate to make. This round robin workshop features a collection of gamps of various types: overshot, twill, color, sett, color and weave, lace, and more, with discussion of how to make design decisions based on the results. At least one of the gamps will be designed as a group before threading.
This smorgasbord of gamps also provides an opportunity for discussions and demonstrations designed to help students refine their weaving technique, learn advanced weaving skills, increase their understanding of written standard and profile drafts, and gain comfort and confidence at the loom.
Gamptastic is designed for
students who already have some experience in weaving and drafting.
Students should bring their own small, sharp scissors, blunt end tapestry needles, and note taking supplies to class. All other materials and equipment will be provided (though students who have their own shuttles and bobbins may wish to bring these as well). A materials fee will be charged to cover yarns and handouts provided. The printed materials for this course are extensive; students who bring a blank CD or USB stick can have an electronic copy of all printed materials.
Fiberworks PCW will be used for drafts and presentations through the course; students may wish to bring a laptop with the latest demo version of the software installed but this isn't required.
Fiberworks PCW is a powerful weaving design software package that gives you the ability to design your own cloth from the ground up - or to modify a pattern you've found in a book, plan a border for an overshot pattern you've fallen in love with, or check a threading to make sure it's balanced.
In this class, you'll learn several methods for entering threadings, treadlings, tie-ups, colours and thread thickness to create a drawdown that looks very much like the finished cloth. You'll learn how to save and print your designs, how to view them in various ways, how to determine the number of heddles required on each shaft and how much of each colour you need. You'll also learn how to check for float lengths in warp and weft and how to convert between tie-up and lift plan (as for a direct tie-up floor loom or table loom).
By the end of the workshop you will know how to enter drafts for plain weave, twills, overshot, tartan, and other basic structures, and will have worked through several exercises to test and cement your understanding.
Focus on Fiberworks is designed for students who already have at least a basic understanding of drafting and are comfortable using Mac or Windows software.
Overshot is a much beloved four shaft weave with endless possibilities and variations. We'll begin by studying traditional overshot: using well known standard scale patterns, a miniature overshot gamp, and a large scale motif, we'll explore concepts like tromp-as-writ, star fashion, rose fashion, and overshot on opposites, as well as weaving skills such as handling two shuttles at once, keeping your place in a complicated treadling, and avoiding mistakes while threading.
Once we've got the basics down, we'll move on to designing your own overshot patterns using name drafting and other techniques, and some less traditional overshot options. Possible topics include overshot on eight shafts, designing in the half tones, flame point, using overshot motifs in other structures, double weave overshot on four shafts, combining overshot with other structures, and turned overshot.
While our focus for the week will be overshot, we'll also look at how all these skills and concepts can be extended to other block weaves such as crackle, turned twill, lace weaves, and unit weaves.
Hours and Registration
Courses run from 9 am to 4 pm and include formal instruction each morning and afternoon plus several hours of weaving time with two (2!) experienced instructors close at hand, for a total of 6 hours of instruction and supervised weaving each day. In addition, the studio will be open before and after scheduled class times and students are welcome and encouraged to weave on their own as much as they like between classes.
There is a maximum enrollment of 10 students in each course and there will be two (2!) instructors on hand at all times, so students will receive plenty of individual attention and assistance.
Course fees are as follows: One day: $85 plus materials Three day: $250 plus materials Five day: $415 plus materials
There are only ten spots available in each, so register early to avoid disappointment! A non-refundable deposit of $150 for three or five day courses and $50 for one day will
hold your place. To register for either course, contact Sue by email at
msuewill[at]gmail[dot]com, by phone at 1-206-463-1747, or by mailing a
cheque to Sue Willingham, PO Box 2395, Vashon, WA 98070-2395. We recommend that
you call before mailing a cheque to make sure that there is still space
Praise for Sue and Janet's courses from past students:"It was a tremendous class from a learning perspective but also very fun. I enjoyed everyone and Sue and Janet really set the tone for a serious, comprehensive and non-threatening class."
"I've always loved yarn: the colours, the textures, the feel of it in my fingers... As a girl, I used to spend hours sifting through my grandmother's yarn drawer and winding up the tangled skeins into tidy balls, then unwinding them so I could do it all over again. Gramma taught me to knit when I was nine and to crochet a little later but when I moved to Cape Breton Island in 1994 and took my first weaving class, I knew I'd found my place: at the loom.
Though I've always longed to create beautiful things, my strengths run more toward math, computers and mechanics. This makes weaving perfect for me because it combines structure and beauty, balances planning with creativity, and allows exploration within a clearly defined framework. In short, it lets the arty-farty right side of my brain and the techy and mechanical left side of my brain cooperate rather than compete for my attention.
I also love to teach! I come from a long line of teachers so it's in my blood and discovering a new way to explain an old idea so that it finally clicks for someone who's been struggling is a particular delight. That I can combine my two passions for weaving and teaching into an actual job is a constant source of surprise and wonder for me. That I can do it with my mother? Priceless!”
Janet learned to weave at the Cape Breton Centre for Craft and Design in 1994 and taught the weaving program there from 2000 to 2009. She has been teaching the Floor Loom Weaving class at Craftsy.com since 2012.Janet has been a member of the Sydney Weavers' Guild since '94 and was the HGA Rep for the Maritime provinces for four years. She has had articles published in the Ontario Spinners & Handweavers magazine, Fibre Focus, and twice in Handwoven Magazine, most recently in the Nov/Dec 2009 issue. In addition to her own weaving business, The Weaver's Palette, Janet owns The Bobbin Tree, a store catering to weavers, spinners, knitters and felters. Her handwoven blankets, scarves, table linens, garments and other items have been sold in shops in the Maritimes for 15 years and now grace the homes and wardrobes of customers across North America, Europe and as far away as Australia and the country of Georgia.
Though Janet has experience weaving and teaching advanced, multi-shaft structures, her current passion is for colour and texture in simple structures like plain weave and basket weave, and twills both plain and fancy.
Sharing a love of weaving with my daughter is, of course, a very special gift. Her enthusiasm is the reason I took my first class. Since then sharing and consulting together has bridged the miles between us. I am really looking forward to teaching these workshops with Janet!"
Sue learned to weave in 1996 at the Weaving Works in Seattle – and via phone consultations with Janet! She moved to Vashon Island in 1998 and after retiring in 2001 had more time to focus on weaving. In 2005 she was asked by friends to teach them to weave. Her living room wasn't big enough so she converted her garage into a studio and later in 2005 opened the Willingham Weavery there. All of her looms were used when she acquired them. Currently there are eight floor looms and several table looms. During the workshops two more will be added temporarily for participants to use. Sue's weaving interests are eclectic -- she likes to experiment with new weave structures and various yarns. As looms have been added to her studio, new opportunities arise because of the size and number of shafts.
In 2003 Sue was one of the co-founders FiberNet, a group of Vashon fiber enthusiasts who share, teach, and learn from one another and, in 2008, mounted a show in Vashon Island's Blue Heron gallery. An outgrowth of FiberNet and of Sue's weaving classes is Vashon Weavers, a group of island weavers that meets regularly and enthusiastically to share and learn.
Sue has been a member of the Seattle Weavers' Guild since 2002. For several years she has participated in the Vashon Island Holiday Studio Tour the first two weekends in December; other island weavers also show their work at her studio during these tours.
The Willingham Weavery
Sue's studio, The Willingham Weavery, is located on beautiful Vashon Island in the Puget Sound between Seattle and the Olympic peninsula. There are several places for visitors to the island to stay and to eat; anyone coming from away to take the workshops may contact us and we'll provide you with suggestions.
Sue's studio contains looms made by several different manufacturers so students will have an opportunity to meet and test drive jack, countermarche and rigid heddle looms made by Ashford, Glimakra, Harrisville, LeClerc, Macomber, and Schacht – an invaluable experience for anyone considering purchasing a loom for the first time. The Weavery also has a nearly complete set of Handwoven Magazine and many other weaving texts that students may make use of during the week.